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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:题跋;作者:高士奇右方褾绫江村高士奇竹窗 雪积峰峰白。火因寒树树稠。寺深束磐远。涧咽冻泉流。静对衣憎薄。澄怀路可求。毫端师造化。画史重营丘。康熙戊寅(1698)七月。秋暑尚炽。悬营丘群峰霁雪图于简静斋壁。漫题。江村高士奇竹窗。印记:士奇、高澹人、竹窗主题:
主要主题:山水冬景(雪景) ;其他主题:山水溪涧、湍泉 ;其他主题:山水江河、湖海 ;其他主题:山水瀑布 ;其他主题:人物高士(士人、隐士) ;其他主题:树木寒林.枯树 ;其他主题:树木竹 ;其他主题:建筑台阁 ;其他主题:建筑亭技法:
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收藏着录: 石渠宝笈续编(重华宫),第三册,页1508 收藏着录: 故宫书画录(卷五),第三册,页34-35 收藏着录: 故宫书画图录,第一册,页143-144 参考书目: 1.本社,〈宋李成群峰霁雪〉,《故宫文物月刊》,第69期(1988年12月),封底里。 内容简介(中文): 李成(西元九一六—九六七年),其先唐宗室,避地营丘,因而徙家居此。本图画雪峰寒树,泉流、空亭、寺院点缀其间。画无名款,经清初高士奇收藏,裱绫一六九八年题中有「悬营丘羣峰霁雪图于简静斋」语,应为画名由来。李成擅画山水寒林,后世相关母题多讬其名。本幅用墨较浓,山石以类似小斧劈皴擦暗面;全幅烘染,表现氤氲之气。然用笔细碎,山势叠嶂较为平面,或为晚明仿作。 内容简介(英文): Li Ch’eng descended from a T’ang imperial family seeking refuge in Ying-ch’iu. This work depicts snowy peaks and wintry trees interspersed with a stream, empty pavilion, and temple architecture. Though with neither seal nor signature of the artist, a 1698 inscription on the mounting from the collector Kao Shih-ch’i mentions “Chien-ching Studio among Clustered Peaks After Snowfall in Ying-ch’iu.” Li Ch’eng excelled at landscapes of wintry forests, with many later such works attributed to him. The ink here is relatively thick, the earthen forms revealing dark, small “axe-cut” texture strokes and ink washes to impart atmosphere. Also, the small strokes, flat peaks and layered ridges suggest a late Ming dynasty (1368-1644) imitation.