书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢边幅题纸纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：秘殿珠林
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：秘殿新编
鑑藏宝玺：珠林重定
鑑藏宝玺：干清宫鑑藏宝
鑑藏宝玺：太上皇帝之宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺
收传印记：（双龙玺）
收传印记：政和
收传印记：御书
收传印记：房之印（半印）

题跋资料:

题跋类别：题跋；作者：宋徽宗；题跋位置：本幅；款识：无；书体：楷书；全文：唐吴道子宝积宾伽罗佛。

题跋类别：题跋；作者：清高宗边幅庚寅新正御赞；书体：行书；全文：（乾隆庚寅御题。文不录。）印记：干、隆

主题:

主要主题：佛道人物佛 ；其他主题：佛道人物罗汉（应真、尊者） ；其他主题：佛道人物飞天 ；其他主题：佛道人物伎乐 ；其他主题：器用仪仗（佛教宝盖）宝盖

技法:

工笔 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 秘殿珠林续编（干清宫），页62 收藏着录： 故宫书画录（卷五），第三册，页6 收藏着录： 故宫书画图录，第一册，页19-20 内容简介（中文）： 吴道子（？–西元七九二年），阳翟人，玄宗时，召入供奉为内教博士，并为更名道玄。善画鬼神、鸟兽、草木、山水台阁，尤长于道释人物。用笔能于东晋顾恺之以来，流行之铁线描外，别创莼菜描法，故衣纹有临风飘荡之势。着色则采淡晕薄罩的浅染法，时称「吴装」。开后世人物画典则，被尊称「百代画圣」。此像即世所谓北方天王，为盛唐以后最受尊奉之佛像之一。 内容简介（英文）： Wu Tao-tzu came from Yang-ch'u. He was summoned by the Emperor Hsüan-tsung (r.813-855) to serve as an imperial tutor and given the name "Tao-hsuan," the same name as the Emperor. He was an accomplished painter of demons, birds, animals, landscapes, and architecture, but his special talent was for Taoist and Buddhist deities. In addition to following the tradition of outline drawing in steely lines which had been popular since the days of Ku K'ai-chih, he also introduced a technique of line drawing in which the same line could be both broad and thin, thus being able to express the effect of clothes blowing in the wind. The phrase "Wu clothing" was used to describe this technique. Wu Tao-tzu established the canons for later generations of figure painters. He has been called the "painting saint for a bundred ages." This form of the Buddha, also called the King of the North, was the most popular form during the High T'ang period.