书体:
行书色彩:
装裱形式:
轴创作时间:
文字类型:
汉文质地:
本幅纸释文:
青松劲挺姿。凌霄耻屈盘。种种出枝叶。牵连上松端。秋花起绛烟。旖旎云锦殷。不羞不自立。舒光射丸丸。柏见吐子效。鹤疑缩颈还。青松本无华。安得保岁寒。米黻拟古诗帖。臣张照敬临。印记资料:
作者印记:臣张照印题跋资料:
主题:
技法:
参考资料:
收藏着录: 石渠宝笈二编(宁寿宫),第五册,页2927 收藏着录: 故宫书画录(卷八),第四册,页13 参考书目: 1.冯明珠,〈张照米芾拟古诗帖〉,收入冯明珠主编,《乾隆皇帝的文化事业》(台北:国立故宫博物院,2002年初版一刷),页86。2.冯明珠,〈乾隆皇帝和他的文化顾问们〉,《故宫文物月刊》,第235期(2002年10月),页65-66。 内容简介(中文): 张照(西元一六九一-一七四五年),华亭(今上海松江)人。字得天,号泾南,又号天瓶居士。深通释典,研法律,能诗善画,通音律,尤工书法。张照书法初从董其昌入手,上溯米芾、颜真卿,颇有浑厚之势。乾隆对他的书法讚誉有佳,称其「有米之雄,而无米之略。有董之整,而无董之弱。」本作为张氏临写米芾〈蜀素帖〉之作,其结字和运笔均与米氏书蹟形似,但缺少原作爽利的丰采。 内容简介(英文): Zhang Zhao (style name Detian; sobriquets Jingnan, Tianping jushi), a native of Huating (modern Songjiang, Shanghai), was versed in Buddhist scripture and studied in law, being also gifted at poetry, painting, music, and especially calligraphy. His calligraphy began with Dong Qichang and traced back to Mi Fu and Yan Zhenqing, possessing a simple yet powerful style. The Qianlong Emperor praised the beauty of his calligraphy, claiming it has “the power of Mi (Fu) but without Mi’s sketchiness, the comprehensiveness of Dong (Qichang) but without Dong’s weakness.” This work is Zhang’s copy of poetry in Mi Fu’s “On Sichuan Silk,” the character forms and brush movement similar to Mi’s calligraphy but lacking the dashing spirit of the original.