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风雨萧萧。墙头蟋蜶簷头马。可怜秋也一束芙容把。小立栏干。醉以黄衫卸。还聊且花捎帘帖。帘动鹦哥打。陈继儒。印记资料:
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收藏着录: 石渠宝笈初编(重华宫),下册,页717-719 收藏着录: 故宫书画录(卷三),第一册,页411-413 收藏着录: 故宫历代法书全集,第二十八册,页76-117、170-177 内容简介(中文): 陈继儒(西元一五五八-一六三九年),江苏华亭人,字仲醇,一字眉公,号糜公。天赋多智,少有高才,诗文书画皆所善长,与同郡董其昌齐名。画擅水墨梅、竹,山水亦气韵空远。董其昌尝评之:「虽草草泼墨,而一种苍老之气,岂落吴下画师恬俗魔境。」眉公亦自言:「若着色相尚,便与富翁俗僧无异。」 内容简介(英文): Ch’en Chi-ju (style names Chung-ch’un and Mei-kung; sobriquet Mo-kung) was a native of Hua-t’ing, Kiangsu. A gifted scholar of many talents, Ch’en excelled at poetry, writing, calligraphy, and painting, becoming as famous as his contemporary Tung Ch’i-ch’ang. Ch’en specialized in painting plum blossoms and bamboo in monochrome ink. His landscapes also were expansive in feeling. Tung Ch’i-ch’ang once commented that “although he [Ch’en] seemingly splashed ink to impart hoary and archaic energy [to his paintings], how can he be considered inferior to Wu [School] painters and in the realm of empty commonality?” Ch’en Chi-ju himself also once wrote, “If I likewise were to apply colors [to my paintings], they would be no different from those of rich men and common monks [i.e., everybody else].” In this particular work, the style of the calligraphy is very individualistic and in a manner all his own.