书体:

草书

色彩:

装裱形式:

册(折装‧纨扇式)

创作时间:

文字类型:

汉文

质地:

本幅绫

释文:

江山虽阔少知音。独自垂钓到夜深。唯有一轮潭底月。随人船后听人吟。赐李彦直。

印记资料:

作者印记：御书
鑑藏宝玺：石渠宝笈
鑑藏宝玺：宝笈三编
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2510-2513 收藏着录： 故宫书画录（卷三），第一册，页214-218 参考书目： 1.何传馨，〈诗帖〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页343-344。 内容简介（中文）： 宋高宗曾亲自教导孝宗（1127-1194）学习书法，此幅草书七言绝句，书于鸾凤纹花绫上，书风与宋高宗相似。不过高宗书笔画较丰腴，结字略扁阔，偶带章草古意；此幅点画偏于细劲，运笔圆转流畅，字形稍瘦而高长，与高宗书有所差异。可能是孝宗亲书，赐与身边内侍之作。宋孝宗喜好苏轼诗文，常置于身边诵读或书写。从此幅书诗小品及前人记载，可以看出孝宗在文艺方面的倾向。(20101015) 内容简介（英文）： Emperor Gaozong personally instructed his successor, Xiaozong (r. 1163-1189), in the study of calligraphy. This work transcribing a seven-character truncated verse in cursive script was calligraphed on silk decorated with phoenix designs, the style being similar to that of Gaozong. The strokes in Gaozong’s script, however, are fuller in form with characters slightly flattened and wider, transmitting the archaic manner of draft cursive. The dots and strokes here are thin yet powerful, the brush movement rounded with fluid turns. Character forms are slightly thin and elongated, revealing a difference with Gaozong’s calligraphy. This work may have been personally calligraphed by Xiaozong and presented to an attendant official.Xiaozong enjoyed the poetry and writing of the famous Northern Song scholar-artist Su Shi, which he would often chant or transcribe. From this intimate work of poetry that he calligraphed and records left by writers in the past, we can capture a glimpse of Xiaozong’s tendencies in art.(20101015)