书体:

草书

色彩:

装裱形式:

册(蝴蝶装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

襄得足下书。极思咏之怀。在杭留两月。今方得出关。历赏剧醉。不可胜计。亦一春之盛事也。知官下与郡侯情意相通。此固可乐。唐候言王白今岁为游闰所胜。大可怪也。初夏时景清和。愿君侯自寿为佳。襄顿首。通理当世屯田足下。大饼极珍物。青瓯微粗。临行公心公心致意。不周悉。

印记资料:

题跋资料:

题跋类别：题签；    宋蔡忠惠公襄书

主题:

技法:

参考资料:

收藏着录： 石渠宝笈续编（干清宫），第一册，页451-457 收藏着录： 故宫书画录（卷三），第一册，页178-180、页188-195 参考书目： 1.〈致通理当世屯田尺牍(思咏帖)〉，收入何传馨、陈阶晋、何炎泉编，《故宫法书新编 （八）　宋 蔡襄墨蹟》（台北：国立故宫博物院，2011年九月初版一刷），页14-16。 内容简介（中文）： 蔡襄 (西元一○一二－一○六七年)，字君谟，福建仙游人。仁宗天圣八年进士（一○三○），官至翰林学士、端明殿学士，知泉州、福州、开封和杭州府事。书法融会晋唐，以雍容端谨见长，与苏轼、黄庭坚、米芾并称为宋四家。此作成于皇祐三年（一○五一年），为蔡襄离开杭州时，向冯京辞行的信函，书札中对随信附赠的大龙团茶与越窑青瓷茶瓯，略有评述。(20110101) 内容简介（中文）： 蔡襄（西元一0一二－一0六七年），福建仙游人，宋代书法名家。所着《茶录》为宋代最早的茶书。这是蔡襄于皇祐三年（一0五一）四月离开杭州时，写给冯京的信札。内容为辞行致意，并附赠大龙团茶及越窑青瓷茶瓯。北宋中期随着斗茶的流行，小龙团茶、兔毫茶盏为世所珍，而早期的越窑青瓷系茶盏虽仍使用，但已是流风之末。因此，信上才有「大饼极珍物，青瓯微粗」的说法。 内容简介（英文）： Ts'ai Hsiang, a native of Fukien Province, was a famous calligrapher of the Sung. His "Tea Record (Ch'a lu)" is the earliest Sung text on this subject. This work is a letter written to Feng Ching in the 4th month of 1051 when Ts'ai left Hangchow. The contents express his regards upon embarking on the journey. Ts'ai also included a gift of "large dragon" caked tea and a Yueh celadon tea bowl. In the middle Northern Sung, tea-tasting contests became popular, as evidenced by such prized items as "small dragon"caked tea and "hare's-fur" tea bowls. Though Yueh tea bowls from earlier times were still in use, they had begun to fade in popularity by this time. That is why Ts'ai wrote here that the tea was "precious" but the celadon "slightly crude". 内容简介（英文）： Cai Xiang (style name Junmo) was a native of Xianyou, Fujian. A Presented Scholar (jinshi) of 1030, he rose to the post of Hanlin and Duanming Hall Academician as well as Transport Commissioner of Fujian Circuit and Administrator of Quanzhou, Fuzhou, and Hangzhou Prefecture. In calligraphy he master Jin and Tang dynasty styles, excelling at a dignified and discreet manner. Along with Su Shi, Huang Tingjian, and Mi Fu, he was known as one of the Four Song Masters. Cai did this work in 1051 upon leaving Hangzhou as a farewell letter to Feng Jing. In it he mentions presenting the gift of a “large dragon” cake of tea and a Yue ceramic floral-shaped tea bowl, which he commented upon in brief. This work comes from the album “Song Calligraphy II.”(20110101)