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琚伏自廿二日具禀报之后。深虑旨挥未到。势不容留。遂将牌印牒以次官权管。姑作急难给假起发。方登舟间。忽领珍染。宠示省劄。如解倒悬。感佩特达之意。无以云喻。即星夜前迈矣。瞻望钧光在迩。兹得以略。切匄炳照。琚皇恐拜复。观使开府相公尊兄钧席。印记资料:
收传印记:安氏仪周书画之章题跋资料:
题跋类别:题签; ;书体:楷书;全文:吴琚。高宗时人。学米书。主题:
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收藏着录: 石渠宝笈三编(延春阁),第五册,页2503-2509 收藏着录: 故宫书画录(卷三),第一册,页164-171 参考书目: 1.侯怡利,〈尺牍〉,收入何传馨主编,《文艺绍兴:南宋艺术与文化‧书画卷》(台北:国立故宫博物院,2010年十月初版一刷),页354-355。 内容简介(中文): 吴琚,字居父,号云壑,开封人,高宗吴皇后之姪。生年约在西元1145-1150年间,卒年在西元1202-1207年间。信札中内容可知,吴琚因故需离职,将「牌印牒以次官权管」,用「急难给假」离开任所,反应南宋「牌、印」制与有关官吏给假的情况,书法上,吴琚无疑是米芾承继与集大成者,此札虽以行草小字书之,可见其挑踢多变的笔法,结字虽方然体势欹侧,笔画之提顿跃动感十足,书风沉着痛快,皆源自米芾。(20101015) 内容简介(英文): Wu Ju (style name Jufu, sobriquet Yunhe) was a native of Kaifeng and the nephew of Gaozong’s Empress Wu. He was born sometime in the period between 1145 and 1150 and died between 1202 and 1207.Wu mentions in the contents of this letter that he was leaving the seals, tallies, and documents of office to a superior because he was taking “a grant for leave of absence on account of urgent difficulties.” This letter reveals a glimpse into the system of seals and tallies along with its relationship to the leave of absence among officials in the Southern Song. In terms of calligraphy, Wu Ju unquestionably followed and synthesized the style of Mi Fu. Although this work was done in small characters using semi-cursive script, many variations to the flicking brushwork can be seen. The character structure is slanted with considerable force, but much leaping movement to the stops and starts of the strokes is also evident. The style is thus steady yet striking, both deriving from Mi Fu’s manner.(20101015)