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(第一则)杞宋文献不足。而礼无所取证。先圣悯之。今观唐李氏谱牒命诰。宛然具存。迺知来裔善守其家者如此。揽卷为之三歎。时淳熙岁丙午中秋后四日。书于淮东总饷官舍。延陵吴琚。九月廿六日。(第二则)焦山题名。延陵吴居父解组襄阳。汝阴孟子开。临邛常叔度。皆一时秩满。联舟东下。泊紫金山。越三日来浮玉观新建飞仙亭。又三日绝江而南。绍熙辛亥季秋丙寅题。印记资料:
作者印记:水睿主人(重一)题跋资料:
题跋类别:题签; ;书体:楷书;全文:宋吴少保琚书。主题:
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收藏着录: 石渠宝笈续编(干清宫),第一册,页473-477 收藏着录: 故宫书画录(卷三),第一册,页154-159 收藏着录: 故宫历代法书全集,第十一册,页90-115、198-202 参考书目: 1.王耀庭,〈吴琚书识语并焦山题名〉,收入国立故宫博物院编,《宋代书画册页名品特展》(台北:国立故宫博物院,1995年初版一刷),页251-252。2.何传馨,〈宋吴琚书识语并焦山题名〉,收入何传馨编,《书法之美特展图录》(台北:国立故宫博物院,1992年五月初版一刷),页75-76。3.王耀庭,〈「七十件书画册页名品特展」精选(四) — 吴琚书识语并焦山题名〉,《故宫文物月刊》,第149期(1995年8月),页102-103。 内容简介(中文): 吴琚,生卒年不详,字居父,号云壑,开封人,。庆元年间(1195—1200),官镇安节度,位至少师,諡忠惠。存世作品,以淳熙末年(1174─1198)至绍熙初年为主(1174─1194)。 吴琚书法,自锺、王奠基,然后世评论,均谓其书法绝类米芾。董其昌甚至评为峻峭过之。从存世书法所见,的确彷彿米芾,不分轩轾。本件虽为小字,但字字写来,笔画之提顿跃动感十足,字之结体常有敲侧峻峭处的特色。整篇行气,纵恣自如,自有一股潇洒意气。本幅选自「宋十二家法书」册第十二幅。 内容简介(英文): Wu Chü(style name Chü-fu; sobriquet Yün-huo)was a native of K'ai-feng. During the Ch'ing-yüan era(1195-1200)he was Military Commissioner of Chen-an, and he went on to the high rank of Junior Preceptor; he was posthumously entitled Chung-hui. Most of his surviving works date from 1174to 1194. Wu Chü’s calligraphy was based on that of Chung Yu(151-230)and Wang Hsichih (ca.307-ca.365)and, as all later critics have pointed out, it followed very closely that of Mi Fu (1051-1107). The artist-connoisseur Tung Ch'I-ch'ang(1555-1636)went so far as to say that Wu's calligraphy was sharper than Mi Fu's. looking at Wu's surviving works, they are indeed very similar to those of Mi Fu , yet both are similar in quality. Although this work was written in small characters, the brush strokes of each character have a great liveliness derived from the lifting and hesitation of the brush movement, giving them a lively rhythm. The characters often appear slightly pointed and slanted. The arrangement of the lines of characters in the entire work is free and unrestrained. This is the twelfth leaf in the album Sung shih-erh chih fa-shu.