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册(蝴蝶装)创作时间:
明思宗崇祯七年(1634)文字类型:
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本幅纸释文:
明远。鄱阳人。真卿昔在平原。已与从事。及来江右。无改厥勤。靖言此心。有足多者。一昨缘事受替。归山金陵。阖门百人。几至餬口。明远与夏镇。不远数百里。冒涉风波。连舸而来。不愆晷刻。竟达命于秦淮之上。复送我于邗沟之西。追攀无疲。以至于邵伯南埭。始终之际。良有可称。今既已事方旋。指期斯复。江路悠缅。风涛浩然。行旅之间。深期尚慎。珍重珍重。鲁公送蔡明远叙。山谷称为兼隶篆之势。馀临大令帖。知鲁公得笔于献之也。董其昌临。甲戌(西元一六三四年)七月晦日识。印记资料:
作者印记:玄赏斋题跋资料:
题跋类别: 签;封面 ;书体:楷书;全文:董其昌临颜真卿蔡明远序。主题:
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收藏着录: 石渠宝笈三编(延春阁),第五册,页2046 收藏着录: 故宫书画录(卷三),第一册,页99-100 收藏着录: 故宫历代法书全集,第二十四册,页30-47、143 收藏着录: 董其昌法书特展研究图录,页106-109、175-176 内容简介(中文): 董其昌(西元一五五五-一六三六年),字玄宰,号思白,江苏华亭人。万历十七年(一五八九)进士,官至礼部尚书,諡文敏。天才隽逸,善书画,富收藏,尤精鑑赏。临摹书蹟,至忘寝食。行楷之妙,称绝一代。 本册作于崇祯七年(一六三四),董氏时年八十。该年春致仕,六月避暑松江东馀山庄,七月临此序。序中多误字漏字更改词句者,皆董氏临书之特色。书风则于鲁公体势中参合大令笔法。董氏曾谓颜书惟蔡明远序尤为沈古,此册确能掌握颜字骨气沉稳之态势。 内容简介(英文): Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style name was Hsüan-tsai and he was known by the sobriquet Ssu-pai. He obtained the chin-shih degree in 1589 and went on to become the Minister of the Ministry of Rites. He was given the posthumous title Wen-min. Tung was exceptionally talented and accomplished as a calligrapher and painter; he was also a collector and an outstanding connoisseur. He frequently made free-copies and copies of old calligraphic works to the point that he would forget to eat or sleep. His ingenious semi-cursive and standard scripts were considered the best of his time. This album was written in 1634, when Tung Ch'i-ch'ang was eighty sui. In the spring of that year, Tung retired from official life, and in June he took a summer vacation in the Tung-she mountain villa in Sungkiang. He copied this preface in the following month of July. The many mistakes and missing characters in this album and the alteration of words and phrases, are all special characteristics of Tung'free-copies. The style of the work adds Wang Hsien-chih's brush method to the force of Yen Chen-ch'ing's structure. Tung once said that Yen's preface was particularly archaic and sedate. This album clearly demonstrates Tung's grasp of the forceful stalwartness in Yen's characters.