书体:

草书

色彩:

装裱形式:

轴

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

江东逢着李龟年。肠断歌钟舞袖前。瑶水似闻黄竹奏。梨园新按紫霓篇。生憎玉色欺冰盌。不耐云光媚酒筵。掩泪青衫天畔客。举觞白眼饮中僊。右陆叔平席上作。脩竹檀栾池水波。近人鱼鸟碧山阿。据床欲动（原脱动字注于诗末）江湖思。散发狂吟欸乃歌。遶径即栽彭泽柳。戏书时乞右军鹅。山公日有高阳会。遮莫寻常酒债多。右草堂下凿池作。雅宜山人王宠书于楞伽山中。

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈三编（御书房），第七册，页3115 收藏着录： 故宫书画录（卷二），第一册，页11-12 参考书目： 1.许郭璜，〈明王宠诗帖〉，收入许郭璜主编，《王宠书法特展图录》（台北：国立故宫博物院，1992年七月初版一刷），页131。 内容简介（中文）： 王宠（西元一四九四－一五三三年），长洲（今江苏苏州）人。字履仁，又字履吉，号雅宜山人。书法初学蔡羽，楷书后师虞世南、智永；行书学王献之。与祝允明、文征明同被誉为「吴中三家」。本幅草书七言律诗二首，结字内歛少舒展，俯仰欹侧变化不大。用笔起伏顿按急遽有力，笔势凝重洗练，干净利落，一丝不苟。通幅笔划之间鲜有连笔牵丝，字的体势虽多不环连，但全篇却血脉不断。 内容简介（英文）： Wang Chong (style names Lüren, Lüji; sobriquet Yayi shanren), native to Changzhou (modern Suzhou, Jiangsu), began his study of calligraphy with Cai Yu, his regular script later following Yu Shinan and Zhiyong, and his running script patterned after Wang Xizhi’s. With Zhu Yunming and Wen Zhengming, Wang was one of the Three Masters of Wu. The two seven-character regulated poems in cursive script here have forms reserved and not expansive, with variations to the slanting characters not very pronounced. The rise and fall of undulating brushwork is rapid and forceful, the force concentrated and refined for a sharp, clean manner with nothing missing. Though the characters do not have brush traces in them, the work as a whole pulses continuously.