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明星烂东方。北斗亦已旋。独宿悲夜长。空牀借兰荃。鸡鸣整环珮。思奉君子筵。君子行未归。新籹为谁妍。意疎觉去遥。只尺越与燕。含情乏彤管。何以写中悁。君如绠上瓶。妾若井底泉。不垂汲引惠。澄莹徒终年。印记资料:
作者印记:云间沈粲民望题跋资料:
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收藏着录: 石渠宝笈初编(御书房),下册,页1095 收藏着录: 故宫书画录(卷二),第一册,页6 内容简介(中文): 沈粲(1379-1453),字民望,号简庵,华亭(今上海)人,与沈度合称「二沈」。兄弟二人均因书法佳善,荐授中书舍人。沈粲行草书从二王得法,同时参取宋克和沈度的经验,行笔偶或出锋扬起波磔,别具飞动的态势。这件立轴书录元末明初诗人高启「拟古诗」一首,点画瘦劲,融会大草书的体势,略与怀素狂草风格相近,由是可知,沈粲行草书原不止于一家之学。(20110913) 内容简介(英文): Shen Can (style name Minwang, sobriquet Jian’an), a native of Huating (modern Shanghai), was known along with Shen Du as the “Two Shens.” Both these two brothers, because they excelled at calligraphy, were recommended to the post of Secretariat Drafter at court. Shen Can’s semi-cursive script derives from the method of the Two Wangs (Wang Xizhi and Wang Xianzhi), at the same time also incorporating the experiences of Song Ke and Shen Du. The running brush occasionally reveals its tip in the rising wave-like strokes, creating a greatly animated force. This hanging scroll is a transcription of the poem “Imitating Archaic Verse” by Gao Qi of the late Yuan and early Ming period. The dots and strokes are thin and strong, mastering the form and force of large cursive script in a manner that appears slightly similar to the wild cursive of Huaisu. This demonstrates that Shen Can’s semi-cursive script did not stop with the study of just one master.(20110913)