书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

主题:

主要主题：人物后妃宋仁宗后；次要主题：人物侍从（侍女、童仆）侍女二人；次要主题：器用服饰（对人）花钗冠、袆衣；次要主题：器用家俱（屏风）坐椅、足凳、椅披、踏脚垫子；其他主题：器用 巾、唾盂

技法:

工笔 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 故宫书画录（卷七），第四册，页23 收藏着录： 国宝再现-书画菁华特展，页56-65、252 参考书目： 1.刘芳如，〈无款宋仁宗后坐像〉，收入林柏亭主编，《大观- 北宋书画特展》（台北：国立故宫博物院，2006年初版一刷），页235- 236。2.刘芳如，〈宋仁宗后坐像〉，收入林柏亭主编，《国宝菁华 — 书画‧图书文献篇》（台北：国立故宫博物院，2006年12月），页195。 内容简介（中文）： 本幅原属清宫南薰殿旧藏，画无款印，但画中人物相貌传神，洵非想像之作，而且用笔精准、赋色细腻，具备第一流的水准，应出自当时名家之笔。 宋仁宗先后曾立两位皇后，其一为郭皇后，另一为慈圣光献曹皇后。由于郭后被废，故此像应系后者。画像中，非惟曹后身着的袆衣、钗冠华丽无伦，连身侧两名侍女，同样衣饰妍丽，满头簪花，与院藏仅绘皇后独自端坐的图像相比，显得格外高贵而出众。(20061206) 内容简介（英文）： This painting, bearing no signature or seal of the artist, originally was once in the former collection of the Nan-hsün Hall at the Ch'ing dynasty court. The lifelike rendering of both the likeness and personality of the figure indicates this was not done from the artist's imagination. Furthermore, the precise brushwork and refined coloring are first rank in quality, indicating this painting probably came from the hand of a master at the time. During the course of his reign, Emperor Jen-tsung had two consorts. The first was Empress Kuo, the latter being Tz'u-sheng Kuang-hsien, Empress Ts'ao. Since Empress Kuo had been deposed at one point, this portrait is most likely a rendering of the latter. In the painting, not only are the robes and headwear of Empress Ts'ao quite ornate, even the two attendant girls are beautifully adorned in similar clothing, their hair also decorated with delicate pins. Similar to another portrait of the empress sitting alone, she appears here as extraordinarily noble and in a class of her own.(20061206)